Program Notes

Arcangelo Corelli's Concerto grosso in G minor, Op. 6, No. 8, known as the Christmas Concerto, is one of the Baroque era's most beloved masterpieces. Composed around 1690, the work was subtitled Fatto per la notte di Natale (Made for the Night of Christmas).

The concerto, scored for a small group of soloists (concertino) and a larger ensemble (ripieno), is a shining example of Corelli's influence in developing the concerto grosso form. Its six movements alternate between lively, dance-like sections and lyrical, contemplative passages, culminating in the serene Pastorale. This final movement evokes the gentle sounds of shepherds' pipes, symbolizing the Nativity's pastoral setting.

Symphony No. 83 in G minor ("The Hen") was composed by Joseph Haydn in 1784 as part of a commission from the Parisian concert society, Concert de la Loge Olympique, for six symphonies, now known as the "Paris" Symphonies (Nos. 82-87). This opportunity came shortly after Haydn's contract with Prince Nicolaus Esterházy was renewed, allowing him to accept outside commissions and compose for a larger orchestra.

The nickname “Hen” was not Haydn’s invention but one given later, inspired by a clucking motif in the first movement that listeners thought resembled the fussing of a hen. This quirky association encapsulates Haydn’s signature humor and his ability to turn the ordinary into something extraordinary. Throughout the symphony, Haydn blends playful charm with the drama of the G minor key, demonstrating his mastery of contrast and character.

Beneath its humor, the Hen Symphony is a deeply inventive work. Haydn’s orchestration is both bold and nuanced, with rich textures and surprising twists that keep the listener engaged. The symphony balances dramatic tension with moments of lightness, showcasing Haydn’s skill in making the unexpected feel inevitable. From its theatrical opening to its buoyant conclusion, the work captures a full spectrum of emotion and energy.

Gustav Holst (1874–1934) was an English composer and teacher known for his innovative style and interest in English folk music and ancient texts. Born in Cheltenham, he studied at the Royal College of Music. Holst’s work reflects a blend of tradition and originality, making him a key figure in early 20th-century music.

The St. Paul’s Suite, composed in 1912–1913 and revised in 1922, is one of his most beloved works for string orchestra. It takes its name from St. Paul's Girls' School in London, where Holst served as the Director of Music from 1905 to 1934. The suite was composed as a token of gratitude to the school, which had provided him with a soundproof studio for teaching and composing—a gesture he greatly appreciated.

And an assortment of Holiday Specials!

General Admission $35 - Children & Students FREE