Sandbar Series II
Sunday, January 18th, 3 PM St. Christopher's Church, Chatham, MA This concert brings together three richly expressive works for string sextet, tracing a compelling arc from youthful Romantic ardor to refined late-nineteenth-century craftsmanship. Richard Strauss’s Sextet from Capriccio opens the program with music of remarkable warmth and poise. Written as the prelude to his final opera, the sextet unfolds in long, unhurried lines that pass gently from player to player, creating the feeling of a single, shared breath. The writing is intimate and conversational rather than dramatic, drawing the listener into a reflective sound world. Composed late in Strauss’s life, the music carries a quiet sense of nostalgia—elegant, luminous, and deeply expressive without ever needing to raise its voice. Vincent d’Indy Vincent d’Indy’s Sextet for Strings presents a complementary contrast within the program. Firmly situated within the French Romantic tradition, the work reflects d’Indy’s training under César Franck through its emphasis on cyclical form, motivic integration, and contrapuntal clarity. Classical structural principles underpin the sextet, while a refined sense of color and rhythmic drive animates the musical surface. Textures are carefully balanced, with each instrument assuming a distinct functional role within the ensemble. Throughout the work, passages of introspection are set against more animated writing, underscoring d’Indy’s commitment to formal coherence and expressive restraint. Johannes Brahms Program: Richard Strauss String Sextet from Capriccio Vincent D'Indy String Sextet Brahms Sextet No. 2 in G Major Bree Fotheringham, violin |
| Jesse MacDonald, violin |
| Sam Kelder, viola |
| Sergio Muñoz, viola |
| Tim Paek, cello |
| Tate Zawadiuk, cello
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Location
St. Christopher's Episcopal Church, 02633