Eroteme’s bank holiday contribution features the improvised concrete interjections of Revox B77 maestro Jérôme Noetinger supported by the digital glitches and microsound of Feronia Wennborg and Simon Weins ‘Soft Tissue’ project.

--------------------------------------------------------------------------------------------------------------------------------------------------

Jérôme Noetinger

Jérôme (1966) is a composer, improviser and sound artist who works with electroacoustic devices such as the Revox B77 reel-to-reel tape recorder and magnetic tape, analogue synthesisers, mixing desks, speakers, microphones, various electronic household/everyday objects and home-made electronica.

He performs both solo and in ensembles (Cellule d'Intervention Metamkine, Le Un, Hrundi Bakshi, Les Sirènes, Proton…), and collaborates often (Sophie Agnel, Lionel Marchetti, Aude Romary, Angelica Castello, Antoine Chessex, Anthony Pateras, Anne-Laure Pigache…).

From 1987 to 2018, he was the director of Metamkine, a non-profit organisation dedicated to the distribution of improvised and electroacoustic music.

Between 1987 and 2014 Jérôme was a member of the editorial committee of the quarterly journal of contemporary sound, poetry and performance, Revue & Corrigée.

For ten years from 1989, he was a member and programming co-ordinator of exhibitions, gigs, and experimental cinema at le 102 rue d'Alembert, Grenoble.

http://metamkine.free.fr

--------------------------------------------------------------------------------------------------------------------------------------------------

SOFT TISSUE (Simon Weins & Feronia Wennborg)

Soft tissue is a collaboration between Glasgow-based artists Feronia Wennborg and Simon Weins. Working with DIY electronics, everyday objects and digital processing, the duo produce hyperreal textures and hesitant melodies through strategies of shared agency and friendship.

In December 2019 soft tissue released their self-titled debut on Penultimate Press, a collection of sonic explorations based on recordings from everyday life and experiments in analogue feedback. With attention towards quiet noises and small interventions, the duo plays within networks of lo-fi amplification, blurring the boundaries between initiated and environmental sounds.

They recently completed a residency at the CCA in Glasgow, supported by AC Projects. Forthcoming work is due to be released on Students of Decay this summer.