Veeva Banga's Cesaria Feels the Beat

Friday, June 5 at 6:00 PM (doors 5:30 PM), 35-minutes without intermission

Tickets are available for $15 in advance, $20 at the door, and $25 for preferred seating (pay-what-you-can available)

All Ages

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Cesaria Feels the Beat is an interactive performance that seamlessly blends dance, poetry, and song, inspired by the book "Cesaria Feels The Beat" by Denise Rosario. It tells the story of a young deaf girl who discovers the joy of music and dance. Veeva welcomes the audience to embark on a rhythmic journey where they become part of the art. Together we'll explore the power of movement and expression. Connecting through dance. Get ready to feel the beat and let your spirit soar.

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Veeva Banga was born in South Sudan and faced the harsh realities of war that forced her family to flee to Egypt in search of safety. This journey eventually led them to the United States, where she discovered her passion for dance at a young age, beginning with the vibrant movements of traditional Zande Dance. In Maine, Veeva was a part of a supportive South Sudanese community that embraced her talent, providing opportunities to perform various cultural events and helping her refine her skills.

By the age of 12, Veeva's dedication paid off when she was awarded a scholarship to join a dance company, where she expanded her repertoire to include hip hop. She later auditioned for the dance program at Portland Arts and Technology High School, eager to deepen her knowledge and expertise. There she learned beginner ballet. Despite her exploration of diverse dance styles, Veeva’s heart remained rooted in her heritage, driving her to reconnect with her African Dance roots and share the beauty of her culture with the world.

​Veeva is a passionate advocate for dance and cultural expression. She co-founded the group Sudo Girls with fellow Sudanese girls in her community while in high school. Together, they held rallies and performed throughout Maine, bringing their vibrant culture to life. After graduating, Veeva transitioned her career to teaching African dance across nearly all schools in the Portland area, gaining recognition for her talent. Being invited to teach at the prestigious Harvard for an event. Being awarded residencies with Indigo Arts Alliance. introducing Afro Beats to esteemed institutions such as Bowoin College and Waynflete School, all while dedicating herself to sharing stories, empowering immigrants, and expanding her artistry.

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PAY WHAT YOU CAN

No one will be turned away from MSA events for lack of funds. Please use this online form or contact MSA at 207-879-4629 or info@mayostreetarts.org to learn more and reserve tickets. Our box office staff are also happy to help at the door, pending availability!

EVENT PARKING

Free on-street parking is available in Mayo Street Arts’ neighborhood.

There is one paid parking lot conveniently located a six-minute walk from the venue: Top of the Old Port Parking (119 Pearl St, Portland ME 04101)

Mayo Street Arts is accessible by Greater Portland Metro bus routes with nearby transfer points 7, 9A & 9B. Click here to learn more.

ACCESSIBILITY

All performances and most other events held at Mayo Street Arts are wheelchair accessible. There are two accessible spots directly in front of our building, however there is not yet a curb cut out at that location.

If you would benefit from additional information or accommodations, we invite you to contact us at info@mayostreetarts.org or 207-879-4629.

COMMUNITY HEALTH

Audience members — in addition to artists, staff & volunteers — who feel sick or exhibit symptoms of illness should stay home out of respect for others.

SEATING POLICY

We will save your reserved seat until showtime, at which point any unclaimed seats may be offered to other people. Please call our box office at 207-879-4629 if you are running late.

CANCELATION POLICY

MSA has a no refund policy for all reservations. In the event that MSA is forced to cancel an event due to weather, illness, etc., refunds will be offered via the Ticket Tailor platform.