Art and Colour - Day 5 via Zoom with recording From the Red Corner to the Green Stripe: (Ukrainian and Russian Art)

Please select this event if you would like to book Day 5 of the 2026 Jean Bolton Memorial Study course presented by The Arts Society Hampshire and Isle of Wight Area online only via Zoom.

The course is entitled Colour in Art and is as follows:

Colour has a profound impact on our perceptions, attention, experiences and emotions making it a powerful element in life and in the arts. This series of lectures seeks to explore the role and impact of colour in different periods of history and geographical locations as well as identifying the sources, composition and development of artistic materials. We will also explore the symbolism, meaning and spiritual significance of colour. Examples will demonstrate the power of colour to attract and focus attention, express and impact emotion, intensify experience, and communicate non-verbally. The series will also explore the varying status and importance of colour verses drawing and line and variations including: vibrant v. muted, oil pigments v. egg tempera, watercolour and fresco and the development of materials over the historical periods. In some sessions attention will also be given to the particular role of Venice as a supplier of pigments and source of important developments. Links between the concept of colour in visual, musical and auditory art forms will be made in some sessions. The 5 study days will cover the Medieval, Renaissance and Baroque periods in Western European Art together with the Nineteenth century in Western and Eastern European Art.

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Thursday 26th November 2026

Dr Rosamund Bartlett - From the Red Corner to the Green Stripe: The Colours of Ukrainian and Russian Art

Overview:

This day of lectures will explore the kaleidoscope of colours in Ukrainian and Russian painting, music and applied arts. There will be a particular focus on Modernist experimentation, on Kandinsky's investigation of colour and form in The Blue Rider, for example, Sonia Delaunay's evolving use of colour as rhythm and structure, and Malevich's "New Painterly Realism of Colour". We will also discuss the sacred significance of red in icons, Moscow's polychrome majolica, Scriabin's synaesthesia, and the fusing of invention with traditional decorative motifs which inspired the bright palette in Maria Prymachenko's paintings.

1. Red Squares, Red Icons and Moscow Majolica

An investigation of the significance and use of red, including discussion of how Red Square and the "red corner" acquired their names, the predominance of red in Novgorod and Moscow icons, and the distinct tradition of Ukrainian "red icons". We will also look at the 17th century craze in Russia for polychrome majolica tiles, which soon covered entire walls of monasteries and churches, including St. Basil's, and how that tradition was revived in the early 20th century by Savva Mamontov, who used irridescent Art Nouveau architectural ceramics to transform the facade of the new Metropole Hotel.

2. Kandinsky and The Blue Rider

Kandinsky went to study art in Munich at the age of thirty, after training as a lawyer and undertaking an ethnographic expedition to a remote part of northern Russia. By 1910 he had graduated from Art Nouveau to Expressionism and was creating innovative theatrical works combining colour, sound, language and movement. This lecture explores the path-breaking work of the international avant-garde group "The Blue Rider" he founded with Franz Marc in 1911. Joined by leading modernists such as Paul Klee, August Macke and Gabriele Münter, the group sought through experiments with colour and form to explore spiritual questions relating to all the arts.

3. Colour in the Ukrainian and Russian Avant-Garde

With reference to native traditions exemplified by the folk painters Hanna Sobachko-Shostak and Maria Prymachenko, and tracing a line from the early to the late 20th century, we will first seek to identify a "Ukrainian palette" in Sonia Delaunay's use of colour as rhythm and structure, Alexandra Exter's abstract colour experiments, and Oleksandr Bohomazov's vibrant canvases. We will then turn to the Russian avant-garde to explore Scriabin's synaesthetic associations of colour with music, Malevich's "New Painterly Realism of Colour", Olga Rozanova's abstract "colour-paintings" and the radical theory of "expanded vision" developed by the painter and composer Mikhail Matyushkin, beginning with his involvement with the 1913 Futurist opera Victory over the Sun and culminating in his 1932 Colour Manual.

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Fees

Tickets are £15 per household for this day. The recording of the day will be available for 7 days after the live event.

Again this year we are offering a reduced total fee of £70 (a saving of £5 overall) when you select all 5 days as a bundle. If you are interested in this option please return to the Ticket Tailor box office and select the second option.

The day will run from 10.30am - 3.30pm.

The course is open to anyone - you do not have to be a member of The Arts Society to attend. Feel free to pass the details of any of our events on to others you think may be interested.

All proceeds from this event go to support art projects in the Hampshire and Isle of Wight Area,

For more details of our events please go to https://theartssocietyhantsiowarea.org.uk/Special/Special.aspx

Once you have purchased your ticket you will receive confirmation by return, including the Zoom link to this day. The organiser will send a reminder with further relevant information on the Monday before each event.