HAYDN: DIALOGUES (feat. inti figgis vizueta)

Haydn: Dialogues is a multi-season commissioning project that reimagines the traditional string quartet cycle. Over the course of the next ten seasons, concluding in 2032 (Haydn’s 300th birth anniversary), the Resident Artists The Cramer Quartet will perform Haydn’s 68 string quartets alongside newly commissioned works by American composers. Each commission is an invitation for a composer to respond to an opus from Haydn’s string quartet oeuvre in the composer’s own musical voice, writing specifically for historical instruments. Haydn: Dialogues is made possible with support by the New York State Council with the support of the Office of the Governor and the New York State Legislature. The Cramer Quartet consists of Jessica Park violin, Kate Goddard violin, Maren Rothfritz viola and Michael Unterman violoncello

program

String Quartet in B-flat Major Op. 1, No. 1 by Hyacinthe Jadin

30 mengstraße by inti figgis-vizueta

String Quartet in D Major Op. 71, No. 2 by Franz Joseph Haydn

about the artists

The Cramer Quartet has recently performed at the Morgan Library, Academy of Early Music, the Stearns Collection of Instruments at the University of Michigan, the Portland Bach Experience, and the world premiere of cello quintet Soul Bop by Brian Nabors at the Chamber Music Society of Central Virginia. The Cramer Quartet is in the midst of Haydn: Dialogues, an ambitious multi-year cycle combining Haydn’s 68 string quartets with sixteen new commissions by American composers. This season will also include the next installment of Haydn: Dialogues, featuring the world premiere of a new work by Darian Donovan Thomas to be performed alongside Haydn’s Op. 76 string quartets. Highlights of past seasons include performances of The Seven Last Words Project— an immersive multimedia journey through Haydn’s Seven Last Words of Christ as reflected upon by seven diverse contemporary composers— at Five Boroughs Music Festival; the quartet’s debut at Music Mountain Summer Festival as the first period instrument ensemble to perform in the concert series 92 year history, and a residency at Festival de Música de Santa Catarina in Jaraguá do Sul, Brazil. The Cramer Quartet is generously supported by New York State Council of the Arts and the Copland Foundation, and is the recipient of a Lower Manhattan Cultural Council Creative Engagement Grant, Chamber Music America’s Ensemble Forward Grant. The ensemble takes its name from Wilhelm Cramer, a brilliant violinist who enjoyed a multifaceted career as London’s first major string quartet leader. Cramer is credited with popularizing a late 18th century violin bow which became the inspiration for the style of historical bows used by the Cramer Quartet.

inti figgis-vizueta (b.1993) is a composer and educator who works to reconcile historical aesthetics and experimental practices with trans & Indigenous futures. Described as an “ever-intriguing, rising new music star” (LA Times), whose “arresting…sparse, beautiful” (NPR Classical) work brings “a sense of true dramatic stakes” (New York Times), inti has been commissioned and performed by leading artists including the Los Angeles Philharmonic, Boston Symphony Orchestra, Cincinnati Symphony Orchestra, Phoenix Symphony, Oregon Symphony, American Composers Orchestra, New World Symphony, Los Angeles Chamber Orchestra, Ensemble Reflektor, Aspen Music Festival, Ojai Music Festival, Spoleto Music Festival, Kennedy Center’s Sounds of US Festival, International Contemporary Ensemble, Alarm Will Sound, Wild Up, Roomful of Teeth, Carnegie Hall’s Ensemble Connect, Kronos Quartet, Attacca Quartet, JACK Quartet, Music from Copland House, Crash Ensemble, pianist Conor Hanick, violinist Jennifer Koh, and cellists Andrew Yee and Jay Campbell, among many others. inti’s work has been featured at Lincoln Center, Carnegie Hall, Kennedy Center, Walt Disney Hall Concert Hall, Symphony Center, REDCAT, National Concert Hall (IE), Southbank Centre (UK), Philharmonie de Paris (FR), Muziekgebouw aan 't IJ (NL), and Konzerthaus Berlin (DE).Upcoming projects include Rose Bond's 1968 for the 2025 Venice Biennale, a new work for Trickster Orchestra's 2026 TransTraditionale FESTIVAL, the NYC premiere of opera mad scramble for crumbs in Lincoln Center's Rubenstein Atrium, and new works for flutist Claire Chase, organist James McVinnie, and cellist Andrew Yee with Roomful of Teeth. inti is the recipient of the 2026 United States Artists Fellowship, the Lotos Foundation Prize, ASCAP Foundation Fred Ho Award, National Sawdust Hildegard Award, Café Royal Foundation Music Grant and residency fellowships from Dumbarton Oaks, Civitella Ranieri, Juilliard Summer Percussion, and Music at Copland House.

inti has held faculty positions with Luna Composition Lab (21-24’), Wildflower Composers (20-22’), Fresh Inc Festival (22’), and Atlanticx Composition (21’). She regularly lectures on her music with recent visits to Harvard University, The Juilliard School, Peabody Conservatory, and CalArts, among many others. inti has curated programs for the Los Angeles Philharmonic Green Umbrella series, Los Angeles Chamber Orchestra Current Series, CalArts' REDCAT, Wild Up’s Darkness Sounding, and American Composers Orchestra SONiC Festival. She was the 2024 Robert M. Trotter Plenary Keynote Lecturer for the College Music Society 67th National Conference.

inti studied with Marcos Balter, Felipe Lara, Donnacha Dennehy, and George Lewis. Her mentors include Tania León, Nico Muhly, Angélica Negrón, Derek Bermel, and Andrew Norman, among many others. inti honors her Quichua bisabuela who was the only woman butcher on the plaza central and used to fight men with a machete.