Audio investigator Lawrence Abu Hamdan weaves together urgent political narratives that pivot around acoustic experience and sonic memory. 'Live Audio Essays' presents three key performance works by Abu Hamdan, where sound and politics intersect. The performances present narratives and testimonies that detail violence, oppression and aggression, offering strategies for political critique and action.

‘After SFX’ (2018) is prompted by sonic evidence, acoustic memories, and Abu Hamdan’s investigations into crimes that had been heard but not seen. The performance explores a series of sounds deriving variously from legal cases and trial transcripts, transhistorical testimonies, and interviews conducted by the artist with earwitnesses. The artist’s earwitnesses include prisoners held in Saydnaya, a brutal prison operated by the Syrian government.

In order to facilitate their testimonies and determine what they heard, Abu Hamdan experimented with pre-existing cinematic sound effects libraries, before developing his ‘Earwitness Inventory’ (2018–ongoing) a self-constructed sound effects library specific to the witnesses’ acoustic memories. The inventory includes everyday objects like a car door, popcorn maker, coins and loaves of bread. These objects operate as sonic analogies, conjuring sounds but also referencing psychological states of mind. A number of objects from the Earwitness Inventory will be activated during the performance.

‘After SFX’ explores sonic recall, and the question of a shared experience of sound. The performance points towards the difficulty of translation and the limits of language, offering a new acoustic vocabulary to articulate witness experience.

‘After SFX’ is performed by Lawrence Abu Hamdan with live sound design by Adam Laschinger and percussion by Iain Stewart. It is presented for the first time in Scotland in a new iteration developed in 2023.

Additional performances by Abu Hamdan include 'Air Pressure' on Thursday 6 June at Galvanizers, SWG3, 100 Eastvale Place, G3 8QJ; and 'A Thousand White Plastic Chairs' on Sunday 9 June at Audio, 14 Midland Street, G1 4PP.

Access

The venue is accessible by stairs only.

Performance is seated. Age restrictions - 14 to 16 year olds accompanied by a parent or guardian (no under 14s).

Venue staff have disability training, including operating a stair climber.

A raised accessible viewing platform is available at the rear of the hall.

Live captions are provided during this performance.

The nearest train stations are High Street (10 minute walk) and Argyle Street (14 min walk).

Doors will open at 6pm.

Performance will begin promptly at 7pm. Latecomers will not be allowed entry once the performance has started.

Performance duration is approximately 55 minutes.