Local Man + My Broken Integrity + PCREMA = Guests

Local Man + My Broken Integrity +
PCREMA + Guests

Local Man

‘Hailing from North London, Local Man deal in familiar sounds - Warm like a cheap bitter, cool like the milk in a Tetley’s, and just as necessary. Made for damp pavements and midweek pints. Support your local.’

My Broken Integrity

Hailing from South East London, the solo artist project known as My Broken Integrity is based on the experiences from the mind of its singer/songwriter, Toshio Kirushima-Bailey. Each track narrates an expression of trauma, defiance, thought-provoking awareness, and pure storytelling.

This Alternative Metal/Metalcore solo artist delivers savage screams yet charming vocals, brutal riffs with shredded leads, yet serene melodies. Fans of Killswitch Engage, Dir en Grey, Slipknot or Bullet for My Valentine would enjoy the live performance with relentless energy.

PCREMA

produces electronic 8-bit music for space-age ducklings using Commodore Amigas, a C64 and a range of obsolete technology and DIY instruments. He’s self-published 5 albums on cassette tape, CD and digital (“Error EP”, “L’Arpeggio Gioventù”, “Come to the Duck Side”, “Persistence is futile”, "Mechanical Struzzo"). Some tracks are featured in chiptune compilations (“BitKick Show” - Lithuania by Brutal Design; Nekopolpo in Italy by the 8-Bit collective Micromusic Italia, Micromusic for Micropeople II by CalmDownKidder.)

PCREMA opened ChipWrecked 2025 on 7/8/25 in Denmark, the biggest European outdoor chiptune festival, played at Tago Fest 11 on 19/10/25 in Mantova, Italy, WoodChip Fest 2026 in Denmark, and is scheduled to headline OSO festival in Italy in September 2026. Plays EMOM network events around London (Dublin Castle, Green Pub).

PCREMA’s music is inspired by 90's European demoscene (Dubmood, Zabutom, Xyce, cTrix), 80's and early 90's videogame music (Huelsbeck, Follin, Hubbard, Hippel) and
by indie, post metal and punk hc, with a pinch of Ennio Morricone.

On stage, the feathered persona, shipwrecked on Earth from a galaxy relatively far away, tries to communicate with dubious efforts halfway between surreal and slapstick comedy while following the real-time generation of music through a 1993's Amiga 600 with unlikely instruments like Otamatone, home-made noise boxes, frying pans and other props.